Plotting... to Take Over the World?
…cue maniacal laughter.
I’ve probably talked about it before, but there are two types of writers (and potentially more in the form of hybrids of the two types but we’ll ignore them for now): Plotters and Pantsers.
Now, “Pantsers” are the type of people who fly by the seat of their pants. Get it? Ha. Ha.
Anyway, they don’t plot. They just sit down and write and basically magic comes out (if it works like it’s supposed to).
While I’m pretty scattered and disorganized in every other aspect of my life, I can’t stand being that way when it comes to my writing. I have to plot until there’s nothing left to do but write or I feel like I’m going to go crazy.
Or sit in a corner and cry… not that that’s ever happened or anything.
Ahem.
So, with every book in the Shadow Phoenix series, I did my plotting a little bit differently trying to figure out what worked best for me and what level of planning I actually needed to do in order to pull off the story.
As it turns out, I didn’t find the answer until I wrote “Captive,” and the answer is I need to plot EVERYTHING.
Every. Damn. Thing.
But it worked so well, that when I slacked off on my writing for Captive after telling myself I got off to a fast start and could take a few weeks off there in the middle, I was able to write, like, sixty thousand words in two weeks because of my plotting skillz.
Now that I’m about to dive into Chased, I’m not even trying to change up my plotting style at all (which is a relief to not have to think about what needs tweaking), and as of yesterday, the first step of the full plot is done. Behold:
This is a glimpse into what my plotting looks like for the book. (For those of you who also write, I use Plottr in dark mode because dark mode is liiiife). I separate the characters by color, and then I use one keyword to describe whatever scene is going to happen. I always aim for 4 scenes per chapter, but as I write, if a scene runs long I occasionally have to cut a future one down the line or expand it out into a whole new chapter.
Thankfully, that only happened twice during Captive and I was able to just cut the scenes rather than expand. Once I’m done with the keywords and a few minor details to describe each scene, I print it out and go through it scene by scene adding as much detail as I possibly can so that when I write, I can transfer over the scene notes and go from there.
It may sound complicated, but ideally it takes me less than a week (Captive took me three solid days) to do all the prep work on a book and then I can dive in and start writing. I’m really excited to give you Chased, and now that this step is finished, I can move on to the final plotting (details!) and then get writing. Let me tell you, this book is going to get your heart racing in more ways than one and I can’t wait to get started.