Captive: Bonus Chapters

I don’t know about you, but I can’t actually watch Hallmark movies or rom-coms or any of those type of things because I feel like the ending is just not enough. Do you know what I mean?

Let me give you an example:

The other day, I was watching She’s All That with the hubs. It just happened to be on and we came in near the end (you know that awesome dance scene at the prom? That’s where we jumped in). There’s all this teenage angst and drama and it’s not until the very, very end that Laney and Zach kiss and yay, all’s right in the world.

Then there’s graduation, but it doesn’t really answer any of my burning questions. Like… do they stay together over the summer? Go to college together? Get married? Have all the babies? Ahhhh. I NEED TO KNOW.

I drive myself crazy with this (Also, FYI, Drive Me Crazy is another great 90’s teen rom-com). Sometimes romance novels are the same for me. I actually don’t tend to read a lot of straight up contemporary romance because I find it formulaic and I get bored. 25% in they’re having their first kiss, 50% sexy times, and 80% is when THE BIG DRAMA strikes. Then we get maybe 10% of the book where things are good and a tiny glimpse into the future if we’re lucky.

I neeeeeeed long epilogues. I need to know where the couple is down the line. How are things going for them? Because I have this need to know what happens, I want to give you guys that extended peek into the future, too. So, I wrote a couple of chapters that take place a year after Captive to give you a glimpse into what Connor and Gigi’s relationship looks like when things have calmed down for them.

You can get a copy by clicking HERE.

How do you feel about epilogues? Do you like long ones or is a short peek enough for you? Let me know in the comments!

Plotting... to Take Over the World?

…cue maniacal laughter.

I’ve probably talked about it before, but there are two types of writers (and potentially more in the form of hybrids of the two types but we’ll ignore them for now): Plotters and Pantsers.

Now, “Pantsers” are the type of people who fly by the seat of their pants. Get it? Ha. Ha.

Anyway, they don’t plot. They just sit down and write and basically magic comes out (if it works like it’s supposed to).

While I’m pretty scattered and disorganized in every other aspect of my life, I can’t stand being that way when it comes to my writing. I have to plot until there’s nothing left to do but write or I feel like I’m going to go crazy.

Or sit in a corner and cry… not that that’s ever happened or anything.

Ahem.

So, with every book in the Shadow Phoenix series, I did my plotting a little bit differently trying to figure out what worked best for me and what level of planning I actually needed to do in order to pull off the story.

As it turns out, I didn’t find the answer until I wrote “Captive,” and the answer is I need to plot EVERYTHING.

Every. Damn. Thing.

But it worked so well, that when I slacked off on my writing for Captive after telling myself I got off to a fast start and could take a few weeks off there in the middle, I was able to write, like, sixty thousand words in two weeks because of my plotting skillz.

Now that I’m about to dive into Chased, I’m not even trying to change up my plotting style at all (which is a relief to not have to think about what needs tweaking), and as of yesterday, the first step of the full plot is done. Behold:

This is a glimpse into what my plotting looks like for the book. (For those of you who also write, I use Plottr in dark mode because dark mode is liiiife). I separate the characters by color, and then I use one keyword to describe whatever scene is going to happen. I always aim for 4 scenes per chapter, but as I write, if a scene runs long I occasionally have to cut a future one down the line or expand it out into a whole new chapter.

Thankfully, that only happened twice during Captive and I was able to just cut the scenes rather than expand. Once I’m done with the keywords and a few minor details to describe each scene, I print it out and go through it scene by scene adding as much detail as I possibly can so that when I write, I can transfer over the scene notes and go from there.

It may sound complicated, but ideally it takes me less than a week (Captive took me three solid days) to do all the prep work on a book and then I can dive in and start writing. I’m really excited to give you Chased, and now that this step is finished, I can move on to the final plotting (details!) and then get writing. Let me tell you, this book is going to get your heart racing in more ways than one and I can’t wait to get started.

What Captive Taught Me

This whole writing journey started for me with a song and an idea to explore what it would be like to be a rock star and also finding love. At the start of my writing career, I had no idea about HOW to actually write. I mean, sure, you can sit down to your computer and just start typing, and a lot of authors make that work for them.

I am not one of those people.

When I wrote Zen, I wrote and re-wrote it three times before I finally published it, and even then, I did a massive re-write last summer because I hadn’t done any series planning and the way the other stories unfolded, and the way the characters came out, didn’t fit in with the way I’d originally written them.

Now that I’m on my 8th book (EEK!), I’ve got a whole lot more confidence in what I’m doing and how to do it. Captive, though, it’s the first book in a brand new series and before I started writing it, I decided to sit down for a sec and decide if there were things about the way I wrote the Shadow Phoenix series I wanted to change going into this one.

For example, I wrote all the books in SP in first person past tense. There are a lot of combinations for how to write a book, but when I was writing the first seven, I found myself jumping a lot between past and present tense and then having to go back and correct my mess ups. So, while it was outside of my comfort zone and a little scary, I decided the Hollywood Guardians series was going to be written in first person present tense.

It might seem like a subtle change, and you may not even notice the difference when you read it, but writing it has been really different for me and I’ve gotta say I think I like it. I’m not sure if I’ll stick with it going forward or in future projects or not, but for this series it’s fun to push the limits on what I’m capable of.

Another thing I’ve learned writing this book is that I always knew I was a planner. I’m a plotter through and through and while every other book before this has had varying levels of plotting, Captive took it to a whole new level.

My process in the past has gone something like this:

• Get an idea for a book.

• Write down any other bits (conflict, characters, a specific trope) that are clear.

• Make an outline with vague things I want to happen (like “couple goes to lunch”).

• Break outline into chapters.

• Start writing.

While that’s at least something, the past three books I’ve written (from Jericho up to Harrison), I’ve had to spend a massive amount of time (and STRESS. Omfg, the stress) stopping somewhere in the middle of the book and re-plotting the second half because the story had gone off the rails. My outlines weren’t tight enough to keep the story on track, so things happened that I didn’t plan for and then the rest of the story wouldn’t make sense.

This time around, in an effort to streamline my writing process (because I’d really like to get my book out faster which means writing more every day), I decided to spend a solid three days before I ever wrote a word plotting all the tiny details of every scene. The places they go to eat (restaurant name), who they’re talking to, what they’re talking about, who’s interacting with who. All sorts of the nitty gritty details so I wouldn’t have to go do a ton of research in the middle of writing.

It was a lot of up front effort, but soooo worth it because my story has stayed perfectly on track this entire book. There’s been no re-plotting (well, aside from one tiny scene where Ronin needed to make an appearance that I hadn’t planned for, but it was no biggie to add it in to the existing story with zero extra plotting or accommodating) and I’m right where I should be.

Even after taking that mental health break right in the middle of writing this one where I didn’t write a word for about there weeks, I’m still right on schedule. Having everything plotted out for me ahead of time means that I’ve been able to write 52,000 words in the last 13 days to make sure Captive gets to you all as scheduled.

So, that’s a bit about my process in case you were curious, and I’m really excited to see how fast I can write Chased (Montana x Ronin’s story) using the same method.